Best Quotes to Pair With Vintage Photos on Social Media

Sharing old photos of people, places, and events on social media is a good way to reminisce and add nostalgia. If youve decided to share your favorite images on social media during a Throwback Thursday, Flashback Friday, or some other tagged event involving sharing, there are some great ways to make your contribution even more special — and good things to know about sharing photos in general: Share one photo a week or less. Dont overwhelm your friends and followers with too many old photos. Just because you found an album of old photos doesnt mean you should bombard your social media followers. Choose one day a week, such as a Throwback Thursday or a Flashback Friday, and maybe even skip a week between postings.Be certain youre sharing only old photos. Dont make the mistake of incorrectly tagging recent photos with something like #tbt (Throwback Thursday), for instance. Stick with the old  pictures you would find in a photo album or a stack of Polaroids. Vintage pictures are hugely popular, so the older, the better.Make sure you choose the best photos — ones that tell a story. For instance, if you were a baseball player, post a picture of the time when you scored your first home run. Post pictures that were taken with your entire family  on vacation. Share a picture of a younger you doing something you still do today.Choose photos that might make people laugh. Unflattering pictures of yourself from the past always make people smile. The goofier you look, the better. That said, if someone else looks unflattering, you might want to get their permission first. After all, this is supposed to be fun.Add other elements that make the sharing more special, such as a special quote from a famous person. The next time you are sharing vintage images online, try pairing them with some of the following vintage quotes from famous poets, novelists, storytellers, and others — these are sure to give an extra appeal. John Banville The past beats inside me like a second heart. Julian Barnes Memories of childhood were the dreams that stayed with you after you woke. Deb Caletti Summer, after all, is a time when wonderful things can happen to quiet people. For those few months, you’re not required to be who everyone thinks you are, and that cut-grass smell in the air and the chance to dive into the deep end of a pool give you a courage you don’t have the rest of the year. You can be grateful and easy, with no eyes on you, and no past. Summer just opens the door and lets you out. Willa Cather I guess everybody thinks about old times, even the happiest people. Sidonie Gabrielle Colette What a wonderful life I’ve had! I only wish I’d realized it sooner. Walt Disney All our dreams can come true, if we have the courage to pursue them. Albert Einstein Only a life lived for others is a life worthwhile. Ralph Waldo Emerson â€Å"For every minute you are angry, you lose 60 seconds of happiness.† William Faulkner How often have I lain beneath rain on a strange roof, thinking of home. Neil Gaiman I miss the way I took pleasure in small things, even as greater things crumbled. I could not control the world I was in, could not walk away from things or people or moments that hurt, but I took joy in the things that made me happy. Kahlil Gibran Yesterday is but todays memory, and tomorrow is todays dream. Arsene Houssaye Always have old memories, and young hopes. Charlotte Davis Kasl A lifelong blessing for children is to fill them with warm memories of times together. Happy memories become treasures in the heart to pull out on the tough days of adulthood. Elizabeth Lawrence There is a garden in every childhood, an enchanted place where colors are brighter, the air softer, and the morning more fragrant than ever again. Laurie Lee Bees blew like cake-crumbs through the golden air, white butterflies like sugared wafers, and when it wasnt raining, a diamond dust took over which veiled and yet magnified all things. C.S. Lewis Gratitude looks to the Past and love to the Present; fear, avarice, lust, and ambition look ahead. You are never too old to set another goal or to dream a new dream. Cesare Pavese We do not remember days; we remember moments. Your time is limited, so don’t waste it living someone else’s life. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. Stay hungry. Stay foolish. Marcel Proust There are perhaps no days of our childhood we lived so fully as those we spent with a favorite book. Vladimir Nabokov One is always at home in ones past. Eleanor Roosevelt The future belongs to those who believe in the beauty of their dreams. Dr. SunWolf Some things can only be understood when you’re in a tree house. With a pile of warm chocolate chip cookies. And a book. Charles R. Swindoll Each day of our lives we make deposits in the memory banks of our children. Oprah Winfrey The biggest adventure you can take is to live the life of your dreams. Lisa Whelchel Theres something about childhood friends that you just cant replace. The Wonder Years Memory is a way of holding onto the things you love, the things you are, the things you never want to lose. Memory is the diary that we all carry about with us.

The Realities of Illegal Immigration - 688 Words

The U.S. border policies in recent years have all had one thing in common: they fail to stop illegal immigration. In fact, immigration continues to increase prodigiously, especially amongst Mexicans. The United States Census Bureau calculated that Mexican immigration quintupled between 1970 and 1988 (Gibney, 1989). Upwards of nine million immigrants came to the United States in the 1980s, and somewhere between 200,000 and one million enter illegally each year. Fifty-five percent of them are thought to be Mexican nationals (ibid.). Furthermore, if such policies continue to fail, what alternatives should the U.S. pursue? Or as Donato (1994) posits, Understanding the consequences of immigration policy also entails study of the causes of policy formation. Donato (1994), opines that further research in this area reconciles economic development with sociological insights about migration which should enable practical policy reform (ibid.). All segments of society must be able to fully integ rate into U.S. society, which includes political participation. Political participation in civil society is crucial for any society, especially a democracy such as the United States. An early proponent of political participation was Samuel Huntington. Although he is a giant in advocating political participation, he too practices jingoism and ethnocentrism (just as U.S. immigration policy does) nicely when it comes to immigrants, especially Latino immigrants (1993). For example, HuntingtonShow MoreRelatedAlien Invasion : The Reality Of Illegal Immigration2383 Words   |  10 PagesAlien Invasion: The Reality of Illegal Immigration As the United States has become a home to an immense amount of illegal immigrants, Americans question themselves ‘who really pays the price?’ There has been extensive discussion in Washington politics regarding the broad topic of an immigration reform. 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As the novel is continued, a sequence of incidents and a discussion of these incidents arise about them. Although these incidents, like illegal immigra tion and rape, could be considered too difficult to comprehend or too matureRead MoreIllegal Immigration And The United States1532 Words   |  7 PagesSince the establishment, people have been emigrating from every foreign country into the United States. Immigration is defined in the Merriam Webster dictionary as â€Å"a person who comes to a country to take up permanent residence† (â€Å"immigrant†). In the beginning, America was the land of opportunity, which allowed people to have a chance at reaching success. Since then, the population has grown to over 320 million people. Because of the explosion of people entering the United States, a restriction must

Faustus died a death that few could bear to imagine, much less experience Essay Example For Students

Faustus died a death that few could bear to imagine, much less experience Essay Faustus died a death that few could bear to imagine, much less experience. After knowing for many years when exactly he would die, he reached the stroke of the hour of his destiny in a cowardly, horrid demeanor. Finally, when the devils appeared at the stroke of midnight, tearing at his flesh as they draw him into his eternal torment, he screams for mercy without a soul, not even God Himself, to help him. However, what to consider Doctor John Faustus from Christopher Marlows dramatic masterpiece The Tragical History of the Life and Death of Doctor Faustus is a very debatable issue. For example, one can see that he threw his life away for the sake of knowledge, becoming obsessed with the knowledge that he could possess. In this case, he is unarguably a medieval tragic hero. However, when considering the fact that he died for the sake of gaining knowledge, pushing the limits of what is possible in spite of obvious limitations and, eventually, paying the ultimate penalty, he could be considered a Renaissance martyr. These two points of view have their obvious differences, and depending on from what time period one chooses to place this piece of literature varies the way that the play is viewed. However, the idea of considering him a martyr has many flaws, several of which are evident when considering who Faustus was before he turned to necromancy and what he did once he obtained the powers of the universe. Therefore, inevitably, the audience in this play should realize that Faustus was a great man who did many great things, but because of his hubris and his lack of vision, he died the most tragic of heroes. Christopher Marlowe was borne on February 6, 1564 Discovering Christopher Marlowe 2, in Canterbury, England, and baptized at St. Georges Church on the 26th of the same month, exactly two months before William Shakespeare was baptized at Stratford-upon-Avon Henderson 275. He was the eldest son of John Marlowe of the Shoemakers Guild and Katherine Arthur, a Dover girl of yeoman stock Henderson 275. Upon graduating Kings School, Canterbury, he received a six-year scholarship to Cambridge upon the condition that he studies for the church. He went to Cambridge, but had to be reviewed by the Privy Council before the university could award him his M. A. egree because of his supposed abandonment of going to church. He was awarded his degree in July of 1587 at the age of twenty-three after the Privy Council had convinced Cambridge authorities that he had behaved himself orderly and discreetly whereby he had done Her Majesty good service Henderson 276. After this, he completed his education from Cambridge over a period of six years. During this time he wrote some plays, including Hero and Leander, along with translating others, such as Ovids Amores and Book I of Lucans Pharsalia Henderson 276. During the next five years he lived in London where he wrote and produced some of his plays and traveled a great deal on government commissions, something that he had done while trying to earn his M. A. degree. In 1589, however, he was imprisoned for taking part in a street fight in which a man was killed; later he was discharged with a warning to keep the peace Henderson 276. He failed to do so; three years later he was summoned to court for assaulting two Shoreditch constables, although there is no knowledge on whether or not he answered these charges Henderson 276. Later Marlowe was suspected of being involved in the siege of Roven where troops were sent to contain some Protestants who were causing unrest in spite of the Catholic League. Then, after sharing a room with a fellow writer Thomas Kyd, he was accused by Kyd for having heretical papers which denied the deity of Jesus Christ Discovering Christopher Marlowe 2. Finally, a certain Richard Baines accused him of being an atheist. Before he could answer any of these charges, however, he was violently stabbed above his right eye while in a fight Ingram Frizer Discovering Christopher Marlowe 2. Doctor Faustus could be considered one of Marlowes masterpieces of drama. It was his turn from politics, which he established himself in with his plays Edward II and Tamburlaine the Great, to principalities and power. In it he asks the reader to analyze what the limits are for human power and knowledge and ponder what would happen if one man tried to exceed those limits. The play opens up with Faustus, who is supposedly the most learned man in the world, talking about how he has mastered every field of knowledge known to man. He is bored with theology, finding that man is doomed no matter what happens, and he has become a master physician, curing a whole village of a plague. He feels that there is nothing left for him to learn, as is frustrated by this; therefore, he decides to delve into the realm of necromancy and magic. He calls upon two other magicians, Valdes and Cornelius, to teach him how to conjure. He learns to do so, and upon his first private experiment into the black art, Mephistophilis appears to him in the form of an ugly devil. This repulses Faustus, so he tells this devil to go away and return as a friar. The devil does so, but then explains that it was not his conjuring that brought forth this devil, but the fact that he conjured and, therefore, cursed the trinity that made him appear. Faustus realizes the amount of power that he can gain from being a necromancer, so he tells Mephistophilis to return to hell and tell Satan that he will sell his soul to him for twenty-four years of absolute power. Satan agrees to this, telling Faustus to sign the bargain in blood. Faustus does so even after a Good Angel appears to him trying to convince him not to do so and several omens appear which warn him not to make the bond. For the next twenty-four years Faustus, with Mephistophilis as his servant, has absolute power. However, in spite of this, he spends his time going to several different important places to display his power in the form of petty tricks. In Rome, Faustus turns himself invisible and, along with Mephistophilis, pokes fun at the Pope and some friars. He also goes to the German court where he shows of his power to Emperor Carolus by conjuring the ghost of Alexander the Great. When one knight is sarcastic with Faustus tricks, he places a set of horns on his head. One Flew Over the Cuckoo's Nest EssayAlthough the Renaissance view says that from the search of such forbidden power one become mighty and truly great, the medieval view says that there are certain limits for man and he should never try to break those limits. In nature, each and every thing obeys a certain order that God Himself set. First there is God, then the angels, then man, then animals, and finally inanimate objects. If man tries to sink lower into the realm of the animal, which implies trying to succumb to mans animalistic lusts and tendencies, one is seen as succumbing to the id personality, as called by Sigmund Freud. Then, on the other end of the spectrum, one can try to become more become superhuman, attempting to break the limits of man. Lucifer was once of the most beautiful angels until he was guilty of aspiring pride and insolence / For which God threw him from the face of heaven 1. 3. 68-69. Faustus thinks that he can become like God by gaining these great powers; little does he know that he is damning himself to eternal torment. Even when his final seconds are approaching, he tries to break the limitation that, since time began, man has tried to circumvent: time itself. Although he was given all of the power of the universe, he was ironically not given the power to halt time, and as he is about to meet his destiny, more time is all he can ask for so that he can repent for his sins: Stand still, you ever-moving spheres of heaven, That time may cease and midnight never come; Fair Natures eye, rise, rise again, and make Perpetual day; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul! O lente lente currite noctis equi 5. 3. 133-139. This last line, meaning Slowly, slowly run, O horses of the night, sums up Faustus desperation and tragic nature very thoroughly. Once he didnt believe in death or in hell; sadly, now he realizes that those two things are the only reality he will have from then on. Over time, this play has received many critiques. In fact, there is question on whether or not Marlowe actually wrote this play in its entirety. One critic says that this drama should be regarded as a skeletal structure of the play written by Marlowe, for the surviving manuscripts are so interspersed with comic scenes and the lines themselves are so often revised according to whims of the actors that the original writing must be culled out of the surviving version Dr. Faustus 261. This same author, when thinking along the same lines as the above quote, says, the exploits of Faustus are frequently rendered pure low comedy Dr. Faustus 261. From this he concluded that these parts werent written at all by Marlowe. Although this may be true, as the stylistic differences between the comical and the serious scenes is very broad, drawing this conclusion from the fact that the slapstick comedy that Faustus and Mephistophilis exhibit together is of a much different tone from the rest of the play is preposterous. In my opinion, Marlowe included these scenes and these obvious examples of comedy to show the true tragedy of Faustus. He begins the play as a great man who is a master in every field of knowledge known to man. The best way to represent his truly dramatic turn-around is to show Faustus becoming involved in petty tricks and antics to show of his incredible power. This true tragedy is, I believe, a step that Marlowe consciously took in order to show the dramatic change in the character of Faustus. I am not saying that someone else besides Marlowe couldnt have written these scenes. However, when looking at the debate from this point of view, it is very possible that Marlowe did write them intentionally to show the dramatic change in Doctor Faustus. Faustus was indeed a tragic hero. Many scholars and literary experts may debate that, because this play was written in the Renaissance, Christopher Marlowe intended that Doctor Faustus be seen as a martyr trying to attain that which was forbidden to man in a time when doing so was the noble thing to do. This is not true, however. Doctor Faustus was a tragic hero through and through, and the way that he presents himself in the play is solid evidence for this. To begin with, he feels that he can justify his turning to witchcraft and necromancy by his gaining of all other knowledges. The irony here is that he never did, or he would have realized that even after he had committed blasphemy by conjuring spirits, he could have turned back to God. He also is a tragic hero because of his methods of using his new power. Instead of using it to attain the secrets of the universe, he plays petty tricks and tomfoolery on various important people around the world, including the pope and the German emperor. Finally, he proved his tragic nature by trying to move above and beyond the limitations set by God himself. Faustus knew that he had to abide by certain laws and rules that God set aside for all of mankind. Faustus knew his limitations, and thus by trying to break those, he damned himself to eternal torment. Ironically, Faustus could have been the most incredible human being who ever lived. If he had repented, the world would have seen that God is truly merciful because he forgave such a blasphemous heathen as Faustus. Faustus could have become an example for all of mankind and proven that if he could be forgiven, then all could be forgiven. However, because he was stubborn, ignorant, and blind, he refused to see that he was never truly damned until he was drug by the devils into the heart of hell itself.

The Tragedy Of Hamlet Essays (856 words) - Characters In Hamlet

The Tragedy Of Hamlet In Hamlet, by William Shakespeare, the death of a character becomes a frequent event. Although many people lose their lives as a result of their own self-centered wrong-doing, there are others whose deaths are a result of manipulation from the royalty. This is the case of Polonius' family. The real tragedy of Hamlet is not that of Hamlet or his family but of Polonius' family because their deaths were not the consequence of sinful actions of their own but rather by their innocent involvement in the schemes of Claudius and Hamlet. The first character to die in Hamlet is Polonius. Although Polonius often acts in a deceitful manner when dealing with Hamlet, it is only because he is carrying out plans devised by the king or queen to discover the nature of Hamlet's madness. Being the king's Lord Chamberlain, it is his duty to obey the king and queen's wishes and it is this loyalty that eventually proves to be fatal for him. An example of how Polonius' innocent involvement with the royalty results in his death can be found at the beginning of Act III, scene iv, when Hamlet stabs him while he is hiding behind the arras in Gertrude's room. This shows how Polonius, a man unaware of the true nature of the situation he is in, is killed by a member of the royalty during the execution of one of their schemes. This makes Polonius' death a tragedy. The next member of Polonius' family to die is his daughter Ophelia. Ophelia's death is tragic because of her complete innocence in the situation. Some may argue that Polonius deserves his fate because of his deceitfulness in dealing with Hamlet while he is mad, but Ophelia is entirely manipulated and used by Hamlet and the king for their own selfish reasons. An example of how Ophelia is used by Hamlet takes place in Act II, scene i, when Hamlet uses her to convince his family he is mad. Ophelia explains to Polonius how Hamlet has scared her, causing Polonius to draw the conclusion that Hamlet has an "antic disposition". Although this is subject to interpretation and many believe that this is simply Hamlet taking one last look at Ophelia before he becomes engaged in his plan to kill Claudius, the fact that he scares her and does not try to alleviate these fears points to the conclusion that he is simply using her to help word of his madness spread throughout the kingdom via Polonius. In Act III, scene iv, Hamlet kills Polonius while he is hiding behind the arras in the Queen's room. This event causes Ophelia to become insane and leads to her eventual death in a river near the castle in Act IV, scene vii. It can be seen how the combined scheming of Hamlet and Claudius concludes in her death. Claudius' scheme brings about Hamlet's scheme which brings about the death of Polonius which leads to Ophelia's death. The passing of Ophelia is a tragedy because she does nothing deserving of death, she is merely used for other people's personal gain. The last member of Polonius' family to die is Laertes, Ophelia's brother and Polonius' son. Laertes' death is tragic because, although he kills Hamlet, he is avenging his father's death, an act, with reference to the moral climate of the 1600s, that would have been condoned by the people who saw the play. The difference between Hamlet and Laertes is that Laertes does not use others to attain his goals and his revenge is in part due to the pressure put on him by Claudius. This makes Laertes' murder of Hamlet excusable and his death a tragedy. An example of how Claudius uses Laertes to try and murder Hamlet is seen in Act IV, scene vii, lines 108 to 110. Claudius and Laertes are discussing Hamlet when Claudius says: Laertes, was your father dear to you? Or are you like the painting of a sorrow, A face without a heart? He is asking Laertes whether he is really sorry about his father's death or if he is just acting mournful without feeling mournful. Claudius uses these lines to lead Laertes into a plan to kill Hamlet, asking him what he will do to prove his love for his father in Act IV, scene vii, lines 124 to 126. Hamlet comes back; what would you undertake To show yourself in deed your father's son More than in words? It can be easily seen how Laertes, influenced